Com-PETE-ions, 2023

Zero Escape: Zero Time Dilemma

I really dug 999, and enjoyed the rollercoaster ride that was Virtue’s Last Reward. Both those games managed to take an heady (but anime-friendly) plot-line, and sprinkle it with clashing stereotypes who, by-and-large, managed to endear themselves to the player.

Zero Time Dilemma, however, presents nine utterly unlikable characters during it’s (very) cold opening, and few of them make positive emotional inroads throughout the remainder of the game. Puzzles very much stick to the Nonary Games formula, with no real surprises.

The last five-ish hours of the game are much more rewarding than the previous twenty, as the decision tree complicates itself through time, but I wrapped up Zero Time Dilemma feeling thankful that I’d never have to deal with these characters again. A definite low-point for the series.

The 25th Ward: The Silver Case

A follow-up to Suda 51’s earlier Silver Case visual novel, The 25th Ward uses much of the same setting (and even some of the same characters) as the prequel. There’s now an additional plot strand (on top of the original’s two), providing a welcome opportunity to flesh out the narrative with an additional viewpoint.

And that’s really handy, because the narrative is some solid Suda nonsense (even if he was only responsible for about a third of the text). It’s glorious nonsense, of course: superhumanly powerful sexy female cop who moonlights in chat sessions? the return of a supernatural person/spirit who can subsume the living at will? a bureaucratic hierarchy of increasingly murderous assassins keeping the titular Ward in check? They’re all in there.

Despite the wackiness, there’s a little less cohesion in The 25th Ward than The Silver Case – whilst the run towards the finish line is pretty tight, the rest of the text is not quite as satisfying in the moment. The kicker, though, is having to trudge through the one hundred ending sequences to get to the “true” end; sometimes Suda’s jokes can wear a bit thin. Still, that’s probably more my fault than his.

Lugaru HD

Look, I never would have bought Lugaru from any storefront; but, way back in 2010, the idea of the Humble Indie Bundle (the very first Humble Bundle!) seemed too good for this altruist to pass by. I had to support it, resulting in the unwelcome inclusion of this game (and Gish, and Penumbra) on The List.

Settling in to play this third-person rabbit beat-em-up nowadays is pretty rough – for all the “HD” that its title may suggest, there’s very little visually pleasing, and aurally there’s only a few short synth loops to accompany the screeches of rabbits and occasional clank of weapons. And whilst the combat initially feels mashy at best, the context-sensitive nature of the controls – especially the counter – proves to be interesting.

Look, I’m not saying that this is a must-play: the narrative is short and clumsy, and the combat challenges feel uneven and careless. But there’s a bit more to Lugaru HD than I was expecting… but not much more. And my expectations were pretty low.

Luftrausers

With a very restricted colour palette, and wonderfully chunky – yet identifiable – pixelated enemy designs, Luftrausers is immediately engaging. The well-weighted unlock system, tied into micro-missions associated with each unlocked part, really propelled me along.

The real highlight of the game for me, though, was the mix-and-match assembly of the player’s craft. Selecting different weapon, body, and engine parts give wildly different crafts, both visually and ludically (and even aurally, with the background music changing on the basis of the weapon parts).

And, lets face it: the surprise ending of the game is pretty awesome.

Dreamfall: The Longest Journey

As with Dreamfall‘s predecessor (The Longest Journey, Com-PETE-d in 2022), I started with the best of intentions… but was soon frustrated into opening a text walkthrough, which accompanied the rest of my play.

As an early 3D point-and-click adventure, it’s… well, it’s trying (in both senses – and tenses – of the word). None of the puzzles are too onerous – though there’s some annoying back-and-forth puzzles that span multiple locations in the mid-game – but there’s just enough friction to annoy. The infrequent combat and chase sequences, on the other hand, are irritating from the get-go… and the (small) level design really reminded me of another game of the era, Deus Ex: Invisible War.

Look – I’d be lying if I said that I wasn’t compelled by the story, especially in the back half of the game. But even with the post-credits teaser, and numerous dangling threads, there isn’t enough intrigue to tempt me into playing through the final game(s) in The Longest Journey series… but I may watch a walkthrough.

Kena: Bridge of Spirits

There’s no denying that Kena is a gorgeous looking game – especially on the PS5, where the animation-studio-quality graphics run at a smooth 60 fps. The visual design is matched by the audio design, with clear indicators of your status during battle.

And that’s just as well, because Kena‘s combat is no joke. For all the cute characters and well-realised scenery, the boss fights (and even regular encounters, on harder difficulties) are challenging. What initially seemed like it might be an old-fashioned character action explore-a-thon reveals itself to be sterner stuff.

But it’s super-rewarding, even if some of the Challenges made available in New Game + frequently veer into frustration. Luckily, NG+ also makes a series of modifiers available, one of which marginalises the combat to make the game a much more comfortable experience.

Com-PETE-ion required 100% collection – all Charmstones, all Hats, hence all Challenges. But I drew the line at Master Mode – I used a save game glitch to unlock the Master Mode trophies, and even the few short battles to get to the glitch were almost beyond me. Played on both PS4 and PS5.

Bridge Constructor Portal

I totally get why games like Bridge Constructor are fun for me: they exercise the (few remaining) engineering bits of my brain, with solutions releasing all sorts of satisfying academic endorphins.

The problem is that the first such game I played – World of Goo – pretty much nailed the formula. It had a built-in resource restriction (that obviated the need for high-score chasing), and… well, it was just adorable.

Bridge Constructor Portal isn’t adorable, but the physics model is still satisfying. The differentiating aspect of this game, then, is the inclusion of the Portal mechanics… and it’s true that the more Portal-focussed levels in the Portal Proficiency DLC provide the real highlights for the game. But whilst there’s still the usual glee to be found as you route a convoy of forklifts through a collapsing construction, many of the levels feel coarse.

The clean Portal visual aesthetic is pleasing, but the narrative elements – delivered by both GLaDOS and unspecified Aperture Labs supervisors – are crude: the idea is there, the phrasing feels familiar to those characters, but it just doesn’t work.

In all, Bridge Constructor Portal made me wonder why I’d bought it in the first place. It felt like a kind of broadly-competent game that only pads out my backlog with completionist pressure, not ludic joy. That’s something I want to try and prevent in the future.

JETT: The Far Shore + Given Time

The vibe of Superbrothers: Sword & Sworcery EP totally sold the Superbrothers brand to me, but the initial media response caused me to hang back a bit on JETT. An accidental YouTube video bumped it back into the foreground… though I waited for the release of the Given Time expansion before immersing myself in its world.

And what a world it is – minimalist, refined, and oh-so-convincing, it is a wonder to explore. The heavy mystical overtones lend great weight to the story, and whilst the player’s craft is certainly a handful to control, the satisfaction found in nailing a manoeuvre is joyous.

JETT: The Far Shore provides a stunningly realised world, full of loneliness and confusion and action and camaraderie; Given Time wraps a bow on it, sealing the deal. A sublime package.

Deliver Us The Moon

With such a strong narrative and sense of place, it would be easy to categorise Deliver Us The Moon as a walking sim (as much as I hate the derogatory use of that term). But there’s still some (albeit slight) puzzles to be found, and more than a hint of horror in the loneliness of lunar wanderings.

The lunar base in which the player spends much of their time feels really well realised; but the character machinations, mostly seen through flashback holographic recordings, feel pretty one-dimensional.

At the end of the day, Deliver Us The Moon presents a tangible world with just enough gameplay to be engaging. There are a few snippets of its short length that could be labelled obtuse (or, less charitably, “rough edges”), but it still provides an enjoyable romp through a bleakly dystopian near-future.

Lego Star Wars: The Skywalker Saga Galactic Edition

When I played the first Lego Star Wars on the Xbox in 2005, it felt fresh and cheeky and fun; when I played the sequel the following year, I still had fun, but a little voice in the back of my head grumbled: “Haven’t we seen this before?”

So I stayed away from subsequent LSW releases until Games With Gold had The Complete Saga back in 2017 (a decade after its initial release), so I snaffled that and discovered that Yes, I had seen it all before. Still fun, though.

But The Skywalker Saga got a fair bit of positive buzz in the media upon its release, so I took advantage of a lazy 50%-off sale and picked it up, hoping to see something new.

And there were new discoveries to be had: polish galore, a reasonable attempt at character voicing, and a Lego-comedy presentation of Episode 9 (which I’ve still not seen). But at its core, the Lego gameplay remains unchanged… and there is So Damn Much Of It.

My Xbox says I spent nearly 125 hours doing everything I could within the world of The Skywalker Saga: collectibles, side-quests, unlocks a-plenty. And I would’ve been perfectly happy if there’d been one-fifth of that content. There truly is Too Much Of A Good Thing.

Pupperazzi

Taking photos of gloriously gormless dogs in a lo-fi world? Yes please.

There may only be a handful of locations, but they – and the photo quests requested of you – are chock-full of humour. The fact that the first-person player character is a camera with foolishly long legs is icing on the cake.

Pupperazzi is just about perfect as a cozy palate-cleanser for me. It’s not too long, there’s plenty of questing, and hundreds of stupid, faithful dogs. Silly and fun.